{"id":19090,"date":"2024-12-10T06:32:35","date_gmt":"2024-12-10T06:32:35","guid":{"rendered":"https:\/\/twist-tales.com\/?p=19090"},"modified":"2025-02-23T10:54:40","modified_gmt":"2025-02-23T10:54:40","slug":"5-tips-on-writing-with-johannes-grahmann","status":"publish","type":"post","link":"https:\/\/twist-tales.com\/de\/5-tips-on-writing-with-johannes-grahmann\/","title":{"rendered":"5 Tips on Writing: With Johannes Grahmann"},"content":{"rendered":"
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5 Tips on Writing: With Johannes Grahmann<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ich bin Johannes, 42 Jahre alt, Literatur-Student (Magister Artium Deutsche & Englische Literatur), Game Designer (Games Academy 2015\/16), Gamer und Journalist (Worldofwarcraft.de, Gameplane.de). Aktuell arbeite ich remote, viel Localisation, Editing & Beratung.<\/span><\/p>

Meine Magisterarbeit schrieb ich damals \u00fcber den “Zwerg in der modernen Fantasy-Literatur” und habe eigentlich schon immer, seit ich als Kind Den Kleinen Hobbit vorgelesen bekam, einen Fokus f\u00fcr Fantasy-Welten und Geschichten, insbesondere mit der Einbindung von Natur, Tieren und den Kontrasten, die damit entstehen k\u00f6nnen, von Zivilisation und (scheinbar) ungez\u00e4hmter Wildnis. Pers\u00f6nlich bevorzuge ich offene Enden oder Andeutungen, sodass die Leser sich eigene Gedanken machen k\u00f6nnen und Raum besteht, die Charaktere und Handlungsstr\u00e4nge selbst weiterzudenken. Dabei ist wichtig, eine klare Richtung vorzugeben, aber eben keine absolute Ansage zu machen, sondern Andeutungen und M\u00f6glichkeiten aufzuzeigen. Dies gibt viel mehr Kreativit\u00e4t seitens der Leser\/Spieler frei, als es fordert, solche Situationen zu erzeugen, auch wenn es nicht immer einfach ist… Es lohnt sich!<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tCheck Out Johannes's Portfolio Page!<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Hooking Your Audience<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Identifikationspunkte – Es gibt nat\u00fcrlich die gewissen Klischees & Schemata in Games, Literatur und Serien, die Spieler\/Zuschauer\/Leser erwarten, und die muss man auch, zu einem gewissen Grad, erf\u00fcllen, aber die eigentliche Kunst ist dann, es eben doch nicht 100% zu tun, sondern mit den M\u00f6glichkeiten zu spielen, unerwartete Handlungen und Setups zu erzeugen.<\/span><\/p>

Und ich meine nicht unbedingt nur den End-Twist, auch kleinere Entwicklungen & Eigenschaften bei Charakteren\/Handlungen fr\u00fch in der Geschichte k\u00f6nnen schon abweichen, wenn es nicht zu schwerwiegend ist, als grobes, etabliertes Beispiel sei hier der Anti-Held genannt, der nat\u00fcrlich dann am Ende zum Helden werden wird… Erwartungsgem\u00e4\u00df. Aber was ist, wenn nicht? Wenn der Anti-Held doch erneut f\u00e4llt und dann… Dinge geschehen?<\/span>
<\/span> Solch eine Situation langsam und in sich schl\u00fcssig hervorzubringen, ist sicherlich eine\u00a0<\/span>Herausforderung, aber auch eine gute M\u00f6glichkeit, die Leser\/Spieler\/Zuschauer zu \u00fcberraschen und zu fesseln.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Mastering Plot Development<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Bleib dir treu, sei in kleinen Stufen vorhersehbar, erwartbar. Aber in den gr\u00f6\u00dferen Etappen\/Entwicklungsschritten eben nicht. Scheu’ dich nicht, auch Negatives, Schlechtes, B\u00f6ses ausf\u00fchrlich zu beschreiben, darin zu schwelgen und es zu preisen. Die wenigsten “B\u00f6sen” Charaktere sind aus eigener \u00dcberzeugung b\u00f6se, ALLE haben eine eigene, inh\u00e4rente, wenn nicht sogar aus der eigenen Sicht positive, dann nachvollziehbare\/begr\u00fcndete Motivation f\u00fcr das, was sie tun, wie sie sind, was ihre Ziele sind.<\/span><\/p>

Die M\u00f6glichkeit, des\/der Protagonisten, diese Motivationen und die Hintergr\u00fcnde zu entdecken, ist ein guter Anreiz am Anfang, die Story ins Rollen zu bringen. Danach besteht eine pers\u00f6nliche Bindung in die Handlung, an die Antagonisten, und damit ist die Handlung begr\u00fcndet.<\/span><\/p>

Wer? Was? Warum? Wo? Wann? – Die Grundfragen zu Handlungspunkten.<\/span>
<\/span> Dann noch \u00fcberlegen, wie sie miteinander \/ mit anderen Handlungsstr\u00e4ngen interagieren, und das Handlungsbild steht. Danach kommt grob gesagt nur noch die Frage, WIE detailliert man es haben will, um damit effektiv zu entscheiden, ob man ein M\u00e4rchen von Grimm m\u00f6chte, oder doch lieber Den “Song of Ice and Fire” in allem Umfang.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Effective World-Building Strategies<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Bau dir eine Welt, in der du selbst hindurchl\u00e4ufst. Stell dir vor, durch die Welt zu laufen, und was du siehst. Mit den Details, mit den verschiedenen Aspekten und den Linsen verschiedener Charaktere, auch g\u00e4nzlich unbeteiligter. Mach kurze Berichte, Sheets, aus deren Sicht, zu einzelnen Aspekten, und nimm diese als Verdeutlichung der Quirks deiner Welt. Wenn du willst, kannst du diese Berichte auch noch zu kleineren Geschichten ausbauen.<\/span><\/p>

Geh es langsam an. lehne keinen Gedanken von vornherein ab, \u00fcberpr\u00fcfe nur, ob er im Kontext der Umst\u00e4nde, die in\/f\u00fcr deine(r) Welt gelten, passt, oder wie er angepasst werden muss, um in die Welt zu passen. Und dann auch, was die Effekte\/Konsequenzen davon sind. Auf die Welt. Auf die Bewohner. Auf die Lebewesen. Auf deine Charaktere. Auf die Story, wie du sie dir vorstellst.<\/span><\/p>

Und dann schau, ob sich die Ver\u00e4nderung besser anf\u00fchlt, oder nicht. Und wenn nicht, mach es r\u00fcckg\u00e4ngig. Hab keine Angst davor, auch Dinge r\u00fcckg\u00e4ngig zu machen oder in deiner Welt zeitlich zu begrenzen.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Techniques for Character Development<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Schau dir verschiedene historische Figuren an, deren Entwicklung und was du aus ihnen mitnehmen kannst, an Handlungen und Eigenschaften.<\/span>
<\/span> Brich deine Charaktere auf grundlegende Motivationen und Verhaltensweisen hinunter und ZEIGE DIE ENTWICKLUNG DES CHARAKTERS IN DEN TATEN der Charaktere. Show, don’t tell.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Crafting Meaningful Decisions<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In einer guten Geschichte ist es irgendwann soweit, dass es sich von selbst f\u00fcgt – man bekommt ein Gesp\u00fcr daf\u00fcr, wie welcher Charakter agiert. Und dann kann man dieses Gesp\u00fcr nehmen und herausfordern. Also Entscheidungen suchen, die da nicht ganz reinpassen, die anecken. Das sind wichtige Punkte, Entscheidungen, die den Charakter beeinflussen. Das sind Punkte, die du suchst. Aber sei vorsichtig, sie wollen gut vorbereitet, eingebunden und umgesetzt sein, in der Story und der Entwicklung. Und auch nicht zu h\u00e4ufig.<\/span><\/p>

Interessant sind M\u00f6glichkeiten, die als kleinere Aktion\/Wahl\/Interaktion irgendwann beschrieben sind, und dann im Nachhinein -innerhalb der Story\/Welt- wichtige Entscheidungen beeinflusst\/ausgel\u00f6st haben. Das sind immer besondere Momente, die m\u00fcssen sehr gut, sehr genau ausgearbeitet sein. Nicht-Wissen ist auch eine wichtige Gr\u00f6\u00dfe in diesem Zusammenhang.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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What are your strengths in writing and narrative design?<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ich bin gut im Beraten und \u00dcberarbeiten von Texten anderer Autoren. Kreative Themenfindung in Kooperation mit Anderen liegt mir.<\/span>
<\/span> Ich kann auch recht gut Natur- und Tierszenen aufs Papier bringen, Tr\u00e4ume und magische Erlebnisse sind meine pers\u00f6nlichen Lieblinge.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Exploring Favorites<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Tad Williams – Otherland. Denn das ist ein gro\u00dfartiges Epos mit allen Varianten moderner Technik und den m\u00f6glichen Effekten.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Which games or stories have you worked on?<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Verschiedene Spiele… Albion Online nat\u00fcrlich, verschiedene Piraten-Spiele, Fantasy Romane & Kurzgeschichten, YouTube Videos und dergleichen. Ich habe bei Gameplane\u00a0 und Worldofwarcraft.de\/Gamona.de damals auch viele Tests & Berichte zu Spielen geschrieben. Aktuell mache ich viel Beratungsarbeit.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A Wish for Interactive Audio Stories<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ich denke, die Geschichte von World of Warcraft w\u00e4re eine gro\u00dfartige Narrativerfahrung.<\/span><\/p>

Es gibt schon einige Ans\u00e4tze dazu auf YT, ich pers\u00f6nlich mag Bellular.com, Michaels Stimme ist einfach eine unglaublich beruhigende Erfahrung, wenn er die WoW-Lore erz\u00e4hlt.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tContact Johannes on LinkedIn<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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We Want to Make You Shine & Thrive<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Get Published & Build Your Portfolio with Interactive Audio Stories<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Want to publish your own interactive stories and grow your portfolio? JOIN OUR WRITER\u2019S POOL<\/a>\u00a0to create and release your work using TWIST<\/a>, our no-coding game engine. Plus, get the chance to work on paid client projects and level up your storytelling skills.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tYesss, I want to join the FIST of TWIST!<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Register for our Writing Workshop now<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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If you are interested in creating your own interactive audio story, you can apply for our WRITER’S WEBINAR!<\/a>\u00a0It will introduce you to our interactive story game engine, TWIST, and teach you how to use it to create interactive audio stories.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tYesss, Teach me how to TWIST!<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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How to Contribute to 5 Tips on Writing<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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If you would also like to publish a blog post on our website and share your own story with interested readers, simply fill out the submission form<\/a>.<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tYesss, I Want to Share my Knowledge with the World!<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

5 Tips on Writing: With Johannes Grahmann Ich bin Johannes, 42 Jahre alt, Literatur-Student (Magister Artium Deutsche & Englische Literatur), Game Designer (Games Academy 2015\/16), Gamer und Journalist (Worldofwarcraft.de, Gameplane.de). Aktuell arbeite ich remote, viel Localisation, Editing & Beratung. Meine Magisterarbeit schrieb ich damals \u00fcber den “Zwerg in der modernen Fantasy-Literatur” und habe eigentlich schon 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